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Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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Le Grande Odalisque
1814. Oil on canvas
Louvre, Paris, France
Painting ID:: 10478
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Le_Grande_Odalisque
1814. Oil on canvas
Louvre, Paris, France
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Portrait of Madame de Senonnes.
1814-16Oil on canvas
Museum des
Beaux-Arts, France
Painting ID:: 10479
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Portrait_of_Madame_de_Senonnes.
1814-16Oil on canvas
Museum des
Beaux-Arts, France
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Roger Delivering Angelica.
1819.
Oil on canvas.
Louvre, Paris,
Painting ID:: 10480
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Roger_Delivering_Angelica.
1819.
Oil on canvas.
Louvre, Paris,
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The Virgin of the Host
1841. Oil on canvas.
The Pushkin Museum
of Fine Art, Moscow.
Painting ID:: 10481
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The_Virgin_of_the_Host
1841. Oil on canvas.
The Pushkin Museum
of Fine Art, Moscow.
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Odalisque and Slave
1842. Oil on canvas
Walters Art Gallery,
Baltimore, MD, USA
Painting ID:: 10482
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Odalisque_and_Slave
1842. Oil on canvas
Walters Art Gallery,
Baltimore, MD, USA
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Jean_Auguste_Dominique_Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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