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Albrecht Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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St.Eustace
mk168
157x61cm
Oil on linden wood
Munich
Painting ID:: 42477
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St.Eustace
mk168
157x61cm
Oil on linden wood
Munich
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Preparatory drawing fro the Heller Altarpiece
mk168
407x240mm
Painting ID:: 42478
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Preparatory_drawing_fro_the_Heller_Altarpiece
mk168
407x240mm
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The Virgin in Prayer
mk168
Oil on linden wood
1518
Painting ID:: 42479
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The_Virgin_in_Prayer
mk168
Oil on linden wood
1518
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The Adoration of the Holy Trinity
mk168
135x123cm
Oil on paplar
Painting ID:: 42480
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The_Adoration_of_the_Holy_Trinity
mk168
135x123cm
Oil on paplar
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The Adoration of the Holy trinity
mk168
135x123cm
Oil n poplar
Painting ID:: 42481
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The_Adoration_of_the_Holy_trinity
mk168
135x123cm
Oil n poplar
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Albrecht_Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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