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Albrecht Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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Sts.Joseph and Joachim
mk168
Oil on linden wood
94x54cm
Painting ID:: 42467
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Sts.Joseph_and_Joachim
mk168
Oil on linden wood
94x54cm
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Sts.Simeon and Lazarus
mk168
97x55cm
Oil on linde wood
9
Painting ID:: 42468
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Sts.Simeon_and_Lazarus
mk168
97x55cm
Oil on linde wood
9
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The Adoration of the Magi
mk168
100x114cm
Oil on coniferouswood
Painting ID:: 42469
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The_Adoration_of_the_Magi
mk168
100x114cm
Oil on coniferouswood
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St.Onuphrius
mk168
Oil on linden wood
58x20cm
Painting ID:: 42470
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St.Onuphrius
mk168
Oil on linden wood
58x20cm
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St.John the Baptist
mk168
Oil on wood
58x20cm
Painting ID:: 42471
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St.John_the_Baptist
mk168
Oil on wood
58x20cm
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Albrecht_Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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