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Albrecht Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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The Virgin as Mater Dolorosa
mk168
109x43cm
Oil on coniferous wood
Painting ID:: 42462
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The_Virgin_as_Mater_Dolorosa
mk168
109x43cm
Oil on coniferous wood
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The Bearing of the Cross
mk168
Painting ID:: 42463
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The_Bearing_of_the_Cross
mk168
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The Virgin with the Sleeping clild between Sts.Anthony
mk168
191x96.5cm
Painting ID:: 42464
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The_Virgin_with_the_Sleeping_clild_between_Sts.Anthony
mk168
191x96.5cm
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Job Castigated by his wife
mk168
94x51cm
Painting ID:: 42465
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Job_Castigated_by_his_wife
mk168
94x51cm
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Piper and Drummer
mk168
94x51cm
Oil on linden wood
Painting ID:: 42466
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Piper_and_Drummer
mk168
94x51cm
Oil on linden wood
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Albrecht_Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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