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Albrecht Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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The Martyrdom of the ten thousand
mk168
99x87cm
Oil on wood
Painting ID:: 42472
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The_Martyrdom_of_the_ten_thousand
mk168
99x87cm
Oil on wood
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Head of the Apostle Philip
mk168
Oil on canvas
46x38cm
Painting ID:: 42473
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Head_of_the_Apostle_Philip
mk168
Oil on canvas
46x38cm
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Head of the Apostle james
mk168
46x38cm
Oil on canvas
Painting ID:: 42474
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Head_of_the_Apostle_james
mk168
46x38cm
Oil on canvas
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The Holy Family
mk168
Oil on wood
30.5x38.7cm
Painting ID:: 42475
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The_Holy_Family
mk168
Oil on wood
30.5x38.7cm
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St. George
mk168
Oil on linden wood
157x61cm
Painting ID:: 42476
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St._George
mk168
Oil on linden wood
157x61cm
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Albrecht_Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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