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RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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Holy Family below the Oak
Date 1518(1518)
Medium Oil on wood
Dimensions Height: 144 cm (56.7 in). Width: 110 cm (43.3 in).
cjr
Painting ID:: 87607
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Holy_Family_below_the_Oak
Date 1518(1518)
Medium Oil on wood
Dimensions Height: 144 cm (56.7 in). Width: 110 cm (43.3 in).
cjr
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Retrato de Pietro Bembo
1504(1504)
Medium Oil on panel
Dimensions 54 x 39 cm
cyf
Painting ID:: 87741
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Retrato_de_Pietro_Bembo
1504(1504)
Medium Oil on panel
Dimensions 54 x 39 cm
cyf
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Hl. Familie unter einer Palme, Tondo
Date 1506(1506)
Medium Oil on wood
cjr
Painting ID:: 87862
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Hl._Familie_unter_einer_Palme,_Tondo
Date 1506(1506)
Medium Oil on wood
cjr
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Portrait of Pietro Bembo
1504(1504)
Medium Oil on wood
cyf
Painting ID:: 87900
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Portrait_of_Pietro_Bembo
1504(1504)
Medium Oil on wood
cyf
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Angel
between 1500(1500) and 1501(1501)
Medium Oil on wood
cyf
Painting ID:: 87901
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Angel
between 1500(1500) and 1501(1501)
Medium Oil on wood
cyf
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RAFFAELLO_Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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