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RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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The Engagement of Virgin Mary
1504(1504)
Medium Oil on roundheaded panel
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Painting ID:: 88331
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The_Engagement_of_Virgin_Mary
1504(1504)
Medium Oil on roundheaded panel
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Portrait of Julius II
between 1511(1511) and 1512(1512)
Medium Oil on wood
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Painting ID:: 88334
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Portrait_of_Julius_II
between 1511(1511) and 1512(1512)
Medium Oil on wood
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Guidobaldo da Montefeltro
1507(1507)
Medium Oil on wood
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Painting ID:: 88335
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Guidobaldo_da_Montefeltro
1507(1507)
Medium Oil on wood
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Young Man with an Apple
1505(1505)
Medium Oil on wood
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Painting ID:: 88336
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Young_Man_with_an_Apple
1505(1505)
Medium Oil on wood
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Madonna with the Blue Diadem
between 1510(1510) and 1511(1511)
Medium Oil on wood
cyf
Painting ID:: 88339
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Madonna_with_the_Blue_Diadem
between 1510(1510) and 1511(1511)
Medium Oil on wood
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| Prev Artist Next Artist
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RAFFAELLO_Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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