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Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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Wald im Spatherbst
Date 1835(1835)
Dimensions 33 x 44 cm (12.99 x 17.32 in)
Painting ID:: 71899
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Wald_im_Spatherbst
Date 1835(1835)
Dimensions 33 x 44 cm (12.99 x 17.32 in)
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Two men contemplating the Moon
Two men contemplating the Moon
between 1819(1819) and 1820
Painting ID:: 72016
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Two_men_contemplating_the_Moon
Two men contemplating the Moon
between 1819(1819) and 1820
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Cross Beside The Baltic
Date 1815(1815)
Dimensions 45 X 33.5 cm (17.72 X 13.19 in)
[cyf]
Painting ID:: 72044
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Cross_Beside_The_Baltic
Date 1815(1815)
Dimensions 45 X 33.5 cm (17.72 X 13.19 in)
[cyf]
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Schwane im Schilf
1819 - 1820
Oil on canvas
36 X 44 cm (14.17 X 17.32 in)
Painting ID:: 72141
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Schwane_im_Schilf
1819 - 1820
Oil on canvas
36 X 44 cm (14.17 X 17.32 in)
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Klosterruine Oybin
Date 1820-1840
Medium Oil on canvas
Dimensions 27 X 21 cm (10.63 X 8.27 in)
cyf
Painting ID:: 72188
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Klosterruine_Oybin
Date 1820-1840
Medium Oil on canvas
Dimensions 27 X 21 cm (10.63 X 8.27 in)
cyf
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Caspar_David_Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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