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Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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Fog
1807(1807)
Oil on canvas
34.5 x 52 cm (13.58 x 20.47 in)
Painting ID:: 70882
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Fog
1807(1807)
Oil on canvas
34.5 x 52 cm (13.58 x 20.47 in)
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Wald im Spatherbst
1835(1835)
Oil on canvas
33 x 44 cm (12.99 x 17.32 in)
Painting ID:: 70892
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Wald_im_Spatherbst
1835(1835)
Oil on canvas
33 x 44 cm (12.99 x 17.32 in)
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Bohemian Landscape with the Milesovka
Oil on canvas
71 x 104 cm (27.95 x 40.94 in)
Painting ID:: 70911
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Bohemian_Landscape_with_the_Milesovka
Oil on canvas
71 x 104 cm (27.95 x 40.94 in)
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The Cross Beside The Baltic
1815(1815)
45 x 33.5 cm (17.72 x 13.19 in)
Oil on Canvas
Painting ID:: 70977
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The_Cross_Beside_The_Baltic
1815(1815)
45 x 33.5 cm (17.72 x 13.19 in)
Oil on Canvas
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Klosterruine Oybin
1820-1840
Oil on canvas
27 x 21 cm (10.63 x 8.27 in)
Painting ID:: 71018
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Klosterruine_Oybin
1820-1840
Oil on canvas
27 x 21 cm (10.63 x 8.27 in)
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Caspar_David_Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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