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Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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landscape
oil on canvas
Painting ID:: 71241
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landscape
oil on canvas
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Old Heroes' Graves
1812(1812)
Oil on canvas
49.5 x 70.5 cm (19.49 x 27.76 in)
Painting ID:: 71243
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Old_Heroes'_Graves
1812(1812)
Oil on canvas
49.5 x 70.5 cm (19.49 x 27.76 in)
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Morgennebel im Gebirge
1808(1808)
Oil on canvas
71 x 104 cm (27.95 x 40.94 in)
Painting ID:: 71291
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Morgennebel_im_Gebirge
1808(1808)
Oil on canvas
71 x 104 cm (27.95 x 40.94 in)
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Schiffe im Hafen am Abend (Nach Sonnenuntergang)
c. 1828
Oil on canvas
31 x 25 cm (12.2 x 9.84 in)
Painting ID:: 71368
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Schiffe_im_Hafen_am_Abend_(Nach_Sonnenuntergang)
c. 1828
Oil on canvas
31 x 25 cm (12.2 x 9.84 in)
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Der Watzmann
c. 1824-1825
Oil on canvas
133 x 170 cm (52.36 x 66.93 in)
Painting ID:: 71369
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Der_Watzmann
c. 1824-1825
Oil on canvas
133 x 170 cm (52.36 x 66.93 in)
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Caspar_David_Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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