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Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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Two men contemplating the Moon
1819(1819)
Oil on canvas
35 x 44 cm (13.78 x 17.32 in)
Painting ID:: 71074
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Two_men_contemplating_the_Moon
1819(1819)
Oil on canvas
35 x 44 cm (13.78 x 17.32 in)
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coucher de soleil sur la mer
mk289 1822 berlin nationalgalerie
Painting ID:: 71091
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coucher_de_soleil_sur_la_mer
mk289 1822 berlin nationalgalerie
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Elbschiff im Fruhnebel
c. 1821
Oil on canvas
22.5 x 30.8 cm (8.86 x 12.13 in)
Painting ID:: 71158
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Elbschiff_im_Fruhnebel
c. 1821
Oil on canvas
22.5 x 30.8 cm (8.86 x 12.13 in)
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The Giant Mountains
1830 - 1835
Oil on Canvas
73.5 x 102.5 cm (28.94 x 40.35 in)
Painting ID:: 71164
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The_Giant_Mountains
1830 - 1835
Oil on Canvas
73.5 x 102.5 cm (28.94 x 40.35 in)
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Wiesen bei Greifswald
1820-1822
Oil on canvas
35 x 49 cm (13.78 x 19.29 in)
Painting ID:: 71237
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Wiesen_bei_Greifswald
1820-1822
Oil on canvas
35 x 49 cm (13.78 x 19.29 in)
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Caspar_David_Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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