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Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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The Turkish Bath
1862(1862)
Medium Oil on canvas on wood
cyf
Painting ID:: 87985
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The_Turkish_Bath
1862(1862)
Medium Oil on canvas on wood
cyf
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Odalisque in Grisaille
1824-34
Medium Oil on canvas
Dimensions 83.2 x 109.2 cm (32.8 x 43 in)
cjr
Painting ID:: 88326
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Odalisque_in_Grisaille
1824-34
Medium Oil on canvas
Dimensions 83.2 x 109.2 cm (32.8 x 43 in)
cjr
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Academic Study of a Male Torse.
1801(1801)
Medium oil on canvas
Dimensions 97.5 x 80.6 cm (38.4 x 31.7 in)
cjr
Painting ID:: 89049
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Academic_Study_of_a_Male_Torse.
1801(1801)
Medium oil on canvas
Dimensions 97.5 x 80.6 cm (38.4 x 31.7 in)
cjr
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Jupiter and Thetis
1811(1811)
Medium oil on canvas
Dimensions 327 x 260 cm (128.7 x 102.4 in)
cyf
Painting ID:: 90953
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Jupiter_and_Thetis
1811(1811)
Medium oil on canvas
Dimensions 327 x 260 cm (128.7 x 102.4 in)
cyf
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Apotheose Napoleons I.
1853(1853)
Medium oil on canvas
Dimensions Deutsch: 49 x 49 cm
cjr
Painting ID:: 91202
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Apotheose_Napoleons_I.
1853(1853)
Medium oil on canvas
Dimensions Deutsch: 49 x 49 cm
cjr
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Jean_Auguste_Dominique_Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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