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Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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Napoleon on his Imperial throne
1806(1806)
Oil on canvas
260 ?? 163 cm (102.4 ?? 64.2 in)
cjr
Painting ID:: 76611
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Napoleon_on_his_Imperial_throne
1806(1806)
Oil on canvas
260 ?? 163 cm (102.4 ?? 64.2 in)
cjr
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Portrait of Monsieur Riviere.
Portrait of Monsieur Riviere. 1805. Oil on canvas. Louvre, Paris, France. More.
cjr
Painting ID:: 76634
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Portrait_of_Monsieur_Riviere.
Portrait of Monsieur Riviere. 1805. Oil on canvas. Louvre, Paris, France. More.
cjr
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Napoleon on his Imperial throne
1806(1806)
Oil on canvas
260 ?? 163 cm (102.4 ?? 64.2 in)
cjr
Painting ID:: 76886
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Napoleon_on_his_Imperial_throne
1806(1806)
Oil on canvas
260 ?? 163 cm (102.4 ?? 64.2 in)
cjr
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Portrat Napoleon Bonapartes als Erster Konsul
1803-1804
Oil on canvas
226 ?? 144 cm (89 ?? 56.7 in)
cjr
Painting ID:: 76941
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Portrat_Napoleon_Bonapartes_als_Erster_Konsul
1803-1804
Oil on canvas
226 ?? 144 cm (89 ?? 56.7 in)
cjr
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Portrait of Princesse Albert de Broglie
1853(1853)
Oil on canvas
121.3 ?? 90.8 cm (47.8 ?? 35.7 in)
cjr
Painting ID:: 77070
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Portrait_of_Princesse_Albert_de_Broglie
1853(1853)
Oil on canvas
121.3 ?? 90.8 cm (47.8 ?? 35.7 in)
cjr
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Jean_Auguste_Dominique_Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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