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Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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Venus Anadyomene
1848(1848)
Oil on canvas
164 x 82 cm (64.57 x 32.28 in)
Painting ID:: 71691
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Venus_Anadyomene
1848(1848)
Oil on canvas
164 x 82 cm (64.57 x 32.28 in)
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Portrat der Madame Riviere
1805(1805)
Oil on canvas
116 X 90 cm (45.67 X 35.43 in)
Painting ID:: 72087
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Portrat_der_Madame_Riviere
1805(1805)
Oil on canvas
116 X 90 cm (45.67 X 35.43 in)
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Ruggiero Rescuing Angelica
1819
Oil on canvas
(147 x 190 cm) (57.9 x 74.8 in)
cjr
Painting ID:: 75055
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Ruggiero_Rescuing_Angelica
1819
Oil on canvas
(147 x 190 cm) (57.9 x 74.8 in)
cjr
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Portrait of the King Charles X of France in coronation robes
1829(1829)
Oil on canvas
129 ?? 90 cm (50.8 ?? 35.4 in)
cjr
Painting ID:: 76366
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Portrait_of_the_King_Charles_X_of_France_in_coronation_robes
1829(1829)
Oil on canvas
129 ?? 90 cm (50.8 ?? 35.4 in)
cjr
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Portrait de Napoleon Bonaparte en premier consul
1803-1804
Oil on canvas
226 ?? 144 cm
cjr
Painting ID:: 76607
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Portrait_de_Napoleon_Bonaparte_en_premier_consul
1803-1804
Oil on canvas
226 ?? 144 cm
cjr
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Jean_Auguste_Dominique_Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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