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Jean Auguste Dominique Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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Princesse Albert de Broglie,
Princesse Albert de Broglie, n??e Jos??phine-El??onore-Marie-Pauline de Galard de Brassac de B??arn, 1853, Metropolitan Museum of Art
Painting ID:: 59438
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Princesse_Albert_de_Broglie,
Princesse Albert de Broglie, n??e Jos??phine-El??onore-Marie-Pauline de Galard de Brassac de B??arn, 1853, Metropolitan Museum of Art
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The Source
The Source, 1856, Mus??e d'Orsay
Painting ID:: 59439
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The_Source
The Source, 1856, Mus??e d'Orsay
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Mme. Moitessier
Mme. Moitessier, 1856, National Gallery of Art
Painting ID:: 59440
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Mme._Moitessier
Mme. Moitessier, 1856, National Gallery of Art
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akilles mottager i sitt talt agamenons sandebud
olja pa tra. nationalmuseum
se
Painting ID:: 64748
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akilles_mottager_i_sitt_talt_agamenons_sandebud
olja pa tra. nationalmuseum
se
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Joan of Arc at the Coronation of Charles VII.
Joan of Arc at the Coronation of Charles VII. Oil on canvas, painted in 1854.
Painting ID:: 66504
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Joan_of_Arc_at_the_Coronation_of_Charles_VII.
Joan of Arc at the Coronation of Charles VII. Oil on canvas, painted in 1854.
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Jean_Auguste_Dominique_Ingres
J. A. D. Ingres (1780-1867)
was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.
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