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Albrecht Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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Sele-Portrait with Bandage
mk168
204x208cm
Painting ID:: 42216
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Sele-Portrait_with_Bandage
mk168
204x208cm
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Durer-s wife Agnes
mk168
156x98mm
Painting ID:: 42217
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Durer-s_wife_Agnes
mk168
156x98mm
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Girl in Cologne Attire and Agnes Durer
mk168
129x190mm
Vienna,Albertina
Painting ID:: 42218
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Girl_in_Cologne_Attire_and_Agnes_Durer
mk168
129x190mm
Vienna,Albertina
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Self-Portrait with sea holly
mk168
56.5x44.5cm
Paris
Painting ID:: 42219
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Self-Portrait_with_sea_holly
mk168
56.5x44.5cm
Paris
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Self-portrait in the nude
mk168
pen and brush
291x153mm
Painting ID:: 42220
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Self-portrait_in_the_nude
mk168
pen and brush
291x153mm
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Albrecht_Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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