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Albrecht Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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Madonna with the pear
mk150
1512
49x37cm
Painting ID:: 39700
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Madonna_with_the_pear
mk150
1512
49x37cm
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Emperor Maximilian
mk150
1519
74x61.5cm
Painting ID:: 39730
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Emperor_Maximilian
mk150
1519
74x61.5cm
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Self-protrait in a Fur-Collared Robe
mk156
1500
Oil on limewood panel
67.1x48.9cm
Painting ID:: 40279
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Self-protrait_in_a_Fur-Collared_Robe
mk156
1500
Oil on limewood panel
67.1x48.9cm
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Paumgatner Altar
mk156
1502-04
Oil on lime panel
155x126cm
Painting ID:: 40282
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Paumgatner_Altar
mk156
1502-04
Oil on lime panel
155x126cm
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Adoration of the Magi
mk156
1504
Oil on panel
98x112cm
Painting ID:: 40290
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Adoration_of_the_Magi
mk156
1504
Oil on panel
98x112cm
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Albrecht_Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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