Oil Painting Artist::. Albrecht Durer

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     Albrecht Durer
    b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

Albrecht Durer The Willow mills on the pegnitz oil painting artist
 Click Image to Enlarge
The Willow mills on the pegnitz
mk168 watercolor and tempera on paper 251x367cm

     Painting ID::  42233
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Willow_mills_on_the_pegnitz
mk168 watercolor and tempera on paper 251x367cm

Albrecht Durer The Wire-Drawing Mill on the pegnita oil painting artist
 Click Image to Enlarge
The Wire-Drawing Mill on the pegnita
mk168 Silverpoint on prepared paper 151x228mm

     Painting ID::  42234
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Wire-Drawing_Mill_on_the_pegnita
mk168 Silverpoint on prepared paper 151x228mm

Albrecht Durer The covered Footbridge at the haller Gate in Nuremberg oil painting artist
 Click Image to Enlarge
The covered Footbridge at the haller Gate in Nuremberg
mk168 Pen and ink on paper with touches of watercolor 160x323mm

     Painting ID::  42235
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_covered_Footbridge_at_the_haller_Gate_in_Nuremberg
mk168 Pen and ink on paper with touches of watercolor 160x323mm

Albrecht Durer Emperor charlemagne oil painting artist
 Click Image to Enlarge
Emperor charlemagne
mk168 215x115.3cm oil on lindenwood

     Painting ID::  42236
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Emperor_charlemagne
mk168 215x115.3cm oil on lindenwood

Albrecht Durer Emperor charlemagne oil painting artist
 Click Image to Enlarge
Emperor charlemagne
mk168 Oil on canvas 85x65cm

     Painting ID::  42237
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Emperor_charlemagne
mk168 Oil on canvas 85x65cm

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     Albrecht_Durer
    b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

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