Oil Painting Artist::. Albrecht Durer

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     Albrecht Durer
    b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

Albrecht Durer Two Apostles oil painting artist
 Click Image to Enlarge
Two Apostles
mk86 1526 Oil on wood 215.5x76 Munich,Bayerische Staats-gamaldesammlungen,Alte Pinakothek

     Painting ID::  33510
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Two_Apostles
mk86 1526 Oil on wood 215.5x76 Munich,Bayerische Staats-gamaldesammlungen,Alte Pinakothek

Albrecht Durer Two Apostles oil painting artist
 Click Image to Enlarge
Two Apostles
mk86 1526 Oil on wood 214.5x76cm Munich,Bayerische Staats-gamaldesammlungen,Alte Pinakothek

     Painting ID::  33511
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Two_Apostles
mk86 1526 Oil on wood 214.5x76cm Munich,Bayerische Staats-gamaldesammlungen,Alte Pinakothek

Albrecht Durer The Nativity oil painting artist
 Click Image to Enlarge
The Nativity
mk86 c.1502-1504 Tempera on wood 155x126cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek

     Painting ID::  33512
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Nativity
mk86 c.1502-1504 Tempera on wood 155x126cm Munich,Bayerische Staatsgemalde-sammlungen,Alte Pinakothek

Albrecht Durer The Adoration of the Trinity oil painting artist
 Click Image to Enlarge
The Adoration of the Trinity
mk86 1511 Oil tempera on wood 135x123cm Vienna,Kunsthistorisches Museum

     Painting ID::  33514
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Adoration_of_the_Trinity
mk86 1511 Oil tempera on wood 135x123cm Vienna,Kunsthistorisches Museum

Albrecht Durer Die Vier Apostel oil painting artist
 Click Image to Enlarge
Die Vier Apostel
mk92 1526 206x76cm Munchen,Bayerische Staatsgemaldesammlung

     Painting ID::  34372
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Die_Vier_Apostel
mk92 1526 206x76cm Munchen,Bayerische Staatsgemaldesammlung

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     Albrecht_Durer
    b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

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