Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Madonna de Padiglionel oil painting artist
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Madonna de Padiglionel
1493. Tempera on panel. Pinacoteca Ambrosiana, Milan, Italy

     Painting ID::  10018
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Madonna_de_Padiglionel
1493. Tempera on panel. Pinacoteca Ambrosiana, Milan, Italy

Sandro Botticelli Lamentation over Dead Christ oil painting artist
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Lamentation over Dead Christ
1495 Tempera on panel Museo Poldi Pezzoli

     Painting ID::  10019
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Lamentation_over_Dead_Christ
1495 Tempera on panel Museo Poldi Pezzoli

Sandro Botticelli Madonna and Child and the young St. John the Baptist oil painting artist
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Madonna and Child and the young St. John the Baptist
c.1490-1495. Tempera on canvas Palazzo Pitti, Galleria Palatina,Florence

     Painting ID::  10020
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Madonna_and_Child_and_the_young_St._John_the_Baptist
c.1490-1495. Tempera on canvas Palazzo Pitti, Galleria Palatina,Florence

Sandro Botticelli Virgin and Child with the Infant St. John. After oil painting artist
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Virgin and Child with the Infant St. John. After
1500. Tempera on panel Dresden Gallery Dresden, Germany

     Painting ID::  10021
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Virgin_and_Child_with_the_Infant_St._John._After
1500. Tempera on panel Dresden Gallery Dresden, Germany

Sandro Botticelli The Virgin and Child The Virgin and Child The Virgin and Child with John the Baptist oil painting artist
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The Virgin and Child The Virgin and Child The Virgin and Child with John the Baptist
Tempera on panel Louvre,Paris,France

     Painting ID::  10022
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Virgin_and_Child_The_Virgin_and_Child_The_Virgin_and_Child_with_John_the_Baptist
Tempera on panel Louvre,Paris,France

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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