Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Birth of Venus oil painting artist
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Birth of Venus
1485 Tempera on canvas Galleria degli Uffizi Florence, Italy

     Painting ID::  10013
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Birth_of_Venus
1485 Tempera on canvas Galleria degli Uffizi Florence, Italy

Sandro Botticelli Madonna of the Pomegranate oil painting artist
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Madonna of the Pomegranate
1487 Tempera on panel Galleria degli Uffizi Florence, Italy.

     Painting ID::  10014
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Madonna_of_the_Pomegranate
1487 Tempera on panel Galleria degli Uffizi Florence, Italy.

Sandro Botticelli Cestello Annunciation oil painting artist
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Cestello Annunciation
1489-1490. Tempera on panel Galleria degli Uffizi Florence, Italy

     Painting ID::  10015
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Cestello_Annunciation
1489-1490. Tempera on panel Galleria degli Uffizi Florence, Italy

Sandro Botticelli Holy Trinity with Mary Magdalene St. John the Baptist and Tobias and the Angel oil painting artist
 Click Image to Enlarge
Holy Trinity with Mary Magdalene St. John the Baptist and Tobias and the Angel
1491-1493. Courtauld Institute Galleries,London,UK

     Painting ID::  10016
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Holy_Trinity_with_Mary_Magdalene_St._John_the_Baptist_and_Tobias_and_the_Angel
1491-1493. Courtauld Institute Galleries,London,UK

Sandro Botticelli St. Augustine in Cell oil painting artist
 Click Image to Enlarge
St. Augustine in Cell
c.1490-1494 Tempera on panel Galleria degli Uffizi Florence, Italy

     Painting ID::  10017
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St._Augustine_in_Cell
c.1490-1494 Tempera on panel Galleria degli Uffizi Florence, Italy

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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