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Rembrandt van rijn
1606-1669
Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.
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Easel in front of a self-portrait
mk255 for in 1660. 11.11 x 0.85 meters canvas. Paris, the Louvre
Painting ID:: 57297
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Easel_in_front_of_a_self-portrait
mk255 for in 1660. 11.11 x 0.85 meters canvas. Paris, the Louvre
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Judas returning the thirty silver pieces.
1629
Oil on panel
79 ?? 102.3 cm (31.10 ?? 40.28 in)
Painting ID:: 68574
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Judas_returning_the_thirty_silver_pieces.
1629
Oil on panel
79 ?? 102.3 cm (31.10 ?? 40.28 in)
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Judas returning the thirty silver pieces.
1629
oil on oak panel
79 X 102.3 cm (31.10 X 40.28 in)
Painting ID:: 68779
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Judas_returning_the_thirty_silver_pieces.
1629
oil on oak panel
79 X 102.3 cm (31.10 X 40.28 in)
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portratt av titus
olja pa duk 64x70.5cm
1655-56
se
Painting ID:: 70809
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portratt_av_titus
olja pa duk 64x70.5cm
1655-56
se
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rembrandts mor
olja pa tra 61.7x79.5cm
1700-talet
se
Painting ID:: 70810
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rembrandts_mor
olja pa tra 61.7x79.5cm
1700-talet
se
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Rembrandt_van_rijn
1606-1669
Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.
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