Oil Painting Artist::. Rembrandt van rijn

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     Rembrandt van rijn
    1606-1669 Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.

Rembrandt van rijn The Sacrifice of Isaac oil painting artist
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The Sacrifice of Isaac
nn09 1634 Oil on canvas 158x117cm

     Painting ID::  51765
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Sacrifice_of_Isaac
nn09 1634 Oil on canvas 158x117cm

Rembrandt van rijn two lod men disputing oil painting artist
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two lod men disputing
mk247 1628,oil on panel 29x23.5 in,72x60 cm,national gallery of victoria,melbourne,australia

     Painting ID::  56057
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  two_lod_men_disputing
mk247 1628,oil on panel 29x23.5 in,72x60 cm,national gallery of victoria,melbourne,australia

Rembrandt van rijn anatomy lesson of dr,nicolaes tulp oil painting artist
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anatomy lesson of dr,nicolaes tulp
mk247 1632 ,oil on canvas,66.75x85.25 in,169.5x216.5 cm mauritshuis,the hague,netherlands

     Painting ID::  56061
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  anatomy_lesson_of_dr,nicolaes_tulp
mk247 1632 ,oil on canvas,66.75x85.25 in,169.5x216.5 cm mauritshuis,the hague,netherlands

Rembrandt van rijn self portrait at the age of 34 oil painting artist
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self portrait at the age of 34
mk247 1640,oil on canvas,40.125x31.5 in,102x80 cm,national gallery,london,uk

     Painting ID::  56068
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  self_portrait_at_the_age_of_34
mk247 1640,oil on canvas,40.125x31.5 in,102x80 cm,national gallery,london,uk

Rembrandt van rijn anne of austria with her louis xiv oil painting artist
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anne of austria with her louis xiv
mk247 c.1640,oil on canvas,47x38 in,120x96.5 cm,chateau de versailles,versailles,france

     Painting ID::  56069
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  anne_of_austria_with_her_louis_xiv
mk247 c.1640,oil on canvas,47x38 in,120x96.5 cm,chateau de versailles,versailles,france

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     Rembrandt_van_rijn
    1606-1669 Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.

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