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Rembrandt van rijn
1606-1669
Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.
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Details of The polish rider
mk76
Painted
c.1655
Oil on canvas
46x53 1/8in
Painting ID:: 31764
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Details_of__The_polish_rider
mk76
Painted
c.1655
Oil on canvas
46x53 1/8in
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Details of The polish rider
mk76
Painted
c.1655
Oil on canvas
46x53 1/8in
Painting ID:: 31765
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Details_of__The_polish_rider
mk76
Painted
c.1655
Oil on canvas
46x53 1/8in
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Rembrandt
mk148
Traditonellerweise is to be seen often also Asenat (to the right) although neither the Bible report nor" Josef and Asenat" of its presence
Painting ID:: 39398
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Rembrandt
mk148
Traditonellerweise is to be seen often also Asenat (to the right) although neither the Bible report nor" Josef and Asenat" of its presence
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David Playing the Harp before Saul
mk155
c.1655
oil on canvas
130x164.3cm
Painting ID:: 39921
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David_Playing_the_Harp_before_Saul
mk155
c.1655
oil on canvas
130x164.3cm
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Self-Portrait with Dog
mk155
1631
Oil on wood
63x56cm
Painting ID:: 39922
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Self-Portrait_with_Dog
mk155
1631
Oil on wood
63x56cm
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Rembrandt_van_rijn
1606-1669
Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.
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