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Rembrandt van rijn
1606-1669
Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.
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Old Soldier
first half of 17th century
Medium Oil on wood
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Painting ID:: 82441
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Old_Soldier
first half of 17th century
Medium Oil on wood
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The Supper at Emmaus
1629
Medium Oil on panel
Dimensions 37.4 x 42.3 cm (14.7 x 16.7 in)
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Painting ID:: 82469
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The_Supper_at_Emmaus
1629
Medium Oil on panel
Dimensions 37.4 x 42.3 cm (14.7 x 16.7 in)
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Selbstportrat mit toter Rohrdommel
1639
Medium Oil on wood
Dimensions 121 x 89 cm
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Painting ID:: 82482
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Selbstportrat_mit_toter_Rohrdommel
1639
Medium Oil on wood
Dimensions 121 x 89 cm
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The abduction of Proserpina
. 1631 (1630-1631)
Medium Oil on oak panel
Dimensions 84.4 x 79.7 cm (33.2 x 31.4 in)
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Painting ID:: 82934
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The_abduction_of_Proserpina
. 1631 (1630-1631)
Medium Oil on oak panel
Dimensions 84.4 x 79.7 cm (33.2 x 31.4 in)
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The abduction of Proserpina
1631 (1630-1631)
Medium Oil on oak panel
Dimensions 84.4 x 79.7 cm (33.2 x 31.4 in)
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Painting ID:: 83143
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The_abduction_of_Proserpina
1631 (1630-1631)
Medium Oil on oak panel
Dimensions 84.4 x 79.7 cm (33.2 x 31.4 in)
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Rembrandt_van_rijn
1606-1669
Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.
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