Oil Painting Artist::. Pieter Aertsen

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     Pieter Aertsen
    1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).

Pieter Aertsen Die Kochin oil painting artist
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Die Kochin
Date 1559 Medium Oil on panel Dimensions 161 x 79 x 108 cm

     Painting ID::  70863
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Die_Kochin
Date 1559 Medium Oil on panel Dimensions 161 x 79 x 108 cm

Pieter Aertsen Market Scene oil painting artist
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Market Scene
1st half of 16th century Medium Oil on oak panel cyf

     Painting ID::  76584
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Market_Scene
1st half of 16th century Medium Oil on oak panel cyf

Pieter Aertsen Market Scene oil painting artist
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Market Scene
1st half of 16th century Oil on oak 85 cm (33.5 in). Height: 127 cm (50 in). cjr

     Painting ID::  76619
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Market_Scene
1st half of 16th century Oil on oak 85 cm (33.5 in). Height: 127 cm (50 in). cjr

Pieter Aertsen Cook in front of the Stove oil painting artist
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Cook in front of the Stove
Date 1559(1559) Medium Oil on wood Dimensions Width: 82 cm (32.3 in). Height: 172.5 cm (67.9 in). cyf

     Painting ID::  76797
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Cook_in_front_of_the_Stove
Date 1559(1559) Medium Oil on wood Dimensions Width: 82 cm (32.3 in). Height: 172.5 cm (67.9 in). cyf

Pieter Aertsen The Cook oil painting artist
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The Cook
1550(1550) Oil on canvas cjr

     Painting ID::  76951
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Cook
1550(1550) Oil on canvas cjr

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     Pieter_Aertsen
    1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).

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