Oil Painting Artist::. Pieter Aertsen

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     Pieter Aertsen
    1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).

Pieter Aertsen Market Woman with Vegetable Stall oil painting artist
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Market Woman with Vegetable Stall
1567(1567) Oil on wood Width: 110 cm (43.3 in). Height: 11 cm (4.3 in). cjr

     Painting ID::  79128
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Market_Woman_with_Vegetable_Stall
1567(1567) Oil on wood Width: 110 cm (43.3 in). Height: 11 cm (4.3 in). cjr

Pieter Aertsen Cook oil painting artist
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Cook
1550(1550) Medium Oil on canvas cyf

     Painting ID::  80398
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Cook
1550(1550) Medium Oil on canvas cyf

Pieter Aertsen The adoration of the Magi oil painting artist
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The adoration of the Magi
Date ca. 1560(1560) Medium Oil on panel Dimensions 167.5 x 180 cm (65.9 x 70.9 in) cjr

     Painting ID::  81110
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_adoration_of_the_Magi
Date ca. 1560(1560) Medium Oil on panel Dimensions 167.5 x 180 cm (65.9 x 70.9 in) cjr

Pieter Aertsen Vendor of Fowl oil painting artist
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Vendor of Fowl
1560s Medium Oil on panel cyf

     Painting ID::  81673
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Vendor_of_Fowl
1560s Medium Oil on panel cyf

Pieter Aertsen Market Woman with Vegetable Stall oil painting artist
 Click Image to Enlarge
Market Woman with Vegetable Stall
1567(1567) Medium Oil on wood cyf

     Painting ID::  82237
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Market_Woman_with_Vegetable_Stall
1567(1567) Medium Oil on wood cyf

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     Pieter_Aertsen
    1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).

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