Oil Painting Artist::. Pieter Aertsen

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     Pieter Aertsen
    1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).

Pieter Aertsen Market Scene oil painting artist
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Market Scene
Oil on oak wood, 91 x 112 cm

     Painting ID::  32223
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Market_Scene
Oil on oak wood, 91 x 112 cm

Pieter Aertsen Vanitas still-life in the background Christ in the House of Mary and Martha oil painting artist
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Vanitas still-life in the background Christ in the House of Mary and Martha
mk150 1552 Signed and dated Panel 60x101.5cm

     Painting ID::  39674
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Vanitas_still-life_in_the_background_Christ_in_the_House_of_Mary_and_Martha
mk150 1552 Signed and dated Panel 60x101.5cm

Pieter Aertsen Peasants by the Hearth oil painting artist
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Peasants by the Hearth
mk156 1556 Oil on panel 142.3x198cm

     Painting ID::  40378
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Peasants_by_the_Hearth
mk156 1556 Oil on panel 142.3x198cm

Pieter Aertsen Butcher sale state with flight nacb Agypten oil painting artist
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Butcher sale state with flight nacb Agypten
mk186 1551 Uppsala, Universiter Konstsamling

     Painting ID::  45511
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Butcher_sale_state_with_flight_nacb_Agypten
mk186 1551 Uppsala, Universiter Konstsamling

Pieter Aertsen Museums national market woman at the Gemusestand oil painting artist
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Museums national market woman at the Gemusestand
mk186 1567 Berlin foundation, Gemaldegalerie

     Painting ID::  45569
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Museums_national_market_woman_at_the_Gemusestand
mk186 1567 Berlin foundation, Gemaldegalerie

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     Pieter_Aertsen
    1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).

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