Oil Painting Artist::. Pieter Aertsen

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     Pieter Aertsen
    1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).

Pieter Aertsen  Butcher's Stall with the Flight into Egypt oil painting artist
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Butcher's Stall with the Flight into Egypt
1551 Uppsala University Art Collection

     Painting ID::  177
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48x72 120x180 $469
  Butcher's_Stall_with_the_Flight_into_Egypt
1551 Uppsala University Art Collection

Pieter Aertsen Market Scene with Christ and the Adulteress oil painting artist
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Market Scene with Christ and the Adulteress
1559 Stadelsches Kunstinstitut, Frankfurt

     Painting ID::  178
INCHES CM PRICE  
16x20 40x50 $99
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24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Market_Scene_with_Christ_and_the_Adulteress
1559 Stadelsches Kunstinstitut, Frankfurt

Pieter Aertsen Market Scene oil painting artist
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Market Scene
undated Oil on oakwood,127 x 85 cm Wallraf-Richartz-Museum,Cologne

     Painting ID::  21963
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24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Market_Scene
undated Oil on oakwood,127 x 85 cm Wallraf-Richartz-Museum,Cologne

Pieter Aertsen Christ and the Adulteress (mk14) oil painting artist
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Christ and the Adulteress (mk14)
1559 Oil on wood,122 x 177 cm Stadelsches Kunstinstitut,Frankfurt

     Painting ID::  21965
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24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Christ_and_the_Adulteress_(mk14)
1559 Oil on wood,122 x 177 cm Stadelsches Kunstinstitut,Frankfurt

Pieter Aertsen Market Scene(Ecce Homo fragment) (mk14) oil painting artist
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Market Scene(Ecce Homo fragment) (mk14)
c 1550 Oil on oakwood,59.5 x 122.5 cm Alte Pinakothek,Munich

     Painting ID::  21969
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Market_Scene(Ecce_Homo_fragment)_(mk14)
c 1550 Oil on oakwood,59.5 x 122.5 cm Alte Pinakothek,Munich

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     Pieter_Aertsen
    1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).

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