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Samuel John Peploe
Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.
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Self-Portrait
mk147
c.190
Scottish National Gallery of Modern Art.
Painting ID:: 39312
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Self-Portrait
mk147
c.190
Scottish National Gallery of Modern Art.
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Barra
mk147
1903
Scottish National Gallery of Modern Art Edinburgh
Painting ID:: 39314
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Barra
mk147
1903
Scottish National Gallery of Modern Art Edinburgh
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Etaples
mk147
c.1906
Scottish National Gallery of Modern Art
Painting ID:: 39317
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Etaples
mk147
c.1906
Scottish National Gallery of Modern Art
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Park Scene
mk147
1910
Kirkcaldy Museum and Art Gallery
Painting ID:: 39318
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Park_Scene
mk147
1910
Kirkcaldy Museum and Art Gallery
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Ile de Brehat
mk147
1911
Scottish National Gallery of Modern Art.
Painting ID:: 39322
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Ile_de_Brehat
mk147
1911
Scottish National Gallery of Modern Art.
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Samuel_John_Peploe
Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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