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Samuel John Peploe
Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.
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Green Sea,Iona
mk147
c.1920
Oil on canvas
50.8x60.9cm
Painting ID:: 39336
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Green_Sea,Iona
mk147
c.1920
Oil on canvas
50.8x60.9cm
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Kirkcudbright
mk147
c.1919
Oil on canvas
55.9x63.5cm
Painting ID:: 39337
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Kirkcudbright
mk147
c.1919
Oil on canvas
55.9x63.5cm
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Tulips and Fruit
mk147
c.1919
Oil on canvas
58x48
Painting ID:: 39338
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Tulips_and_Fruit
mk147
c.1919
Oil on canvas
58x48
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Still Life Roses and Book
mk147
c.1920
Oil on canvas
73.7x60
Painting ID:: 39339
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Still_Life_Roses_and_Book
mk147
c.1920
Oil on canvas
73.7x60
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Landscape at Cassis
mk147
1924
Oil on canvas
55.6x45.7cm
Painting ID:: 39340
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Landscape_at_Cassis
mk147
1924
Oil on canvas
55.6x45.7cm
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Samuel_John_Peploe
Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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