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Samuel John Peploe
Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.
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The Lobster
mk147
c.1903
Oil on canvas
40.7x50.8cm
Painting ID:: 39326
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The_Lobster
mk147
c.1903
Oil on canvas
40.7x50.8cm
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Roses in a Blue and White Vase,Black Background
mk147
c.1904
Oil on canvas
40.6x45.5cm
Painting ID:: 39327
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Roses_in_a_Blue_and_White_Vase,Black_Background
mk147
c.1904
Oil on canvas
40.6x45.5cm
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The Black Bottle
mk147
c.1905
Oil on canvas
50.8x76.2cm
Painting ID:: 39328
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The_Black_Bottle
mk147
c.1905
Oil on canvas
50.8x76.2cm
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Still Life with Coffee Pot
mk147
c.1905
Oil on canvas
61x82.5cm
Painting ID:: 39329
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Still_Life_with_Coffee_Pot
mk147
c.1905
Oil on canvas
61x82.5cm
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Girl in White
mk147
1907
Oil on canvas
84.5x61.5cm
Painting ID:: 39330
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Girl_in_White
mk147
1907
Oil on canvas
84.5x61.5cm
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Samuel_John_Peploe
Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.
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