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Samuel John Peploe
Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.
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Street Scene,France
mk147
c.1910
Oil on canvas
34x26.5cm
Painting ID:: 39331
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Street_Scene,France
mk147
c.1910
Oil on canvas
34x26.5cm
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The Luxembourg Gardens
mk147
c.1910
Oil on panel
35.5x28cm
Painting ID:: 39332
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The_Luxembourg_Gardens
mk147
c.1910
Oil on panel
35.5x28cm
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Boats at Royan
mk147
1910
Oil on board
29x33
Painting ID:: 39333
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Boats_at_Royan
mk147
1910
Oil on board
29x33
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Tulips and Cup
mk147
c.1912
Oil on canvas
45.6x40.6cm
Painting ID:: 39334
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Tulips_and_Cup
mk147
c.1912
Oil on canvas
45.6x40.6cm
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Still Life
mk147
c.1913
Oil on canvas
55x46
Scottish National Gallery of Modern Art.
Painting ID:: 39335
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Still_Life
mk147
c.1913
Oil on canvas
55x46
Scottish National Gallery of Modern Art.
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Samuel_John_Peploe
Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.
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