Oil Painting Artist::. CIMA da Conegliano

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     CIMA da Conegliano
    Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,

CIMA da Conegliano The Annunciation dfg oil painting artist
 Click Image to Enlarge
The Annunciation dfg
1495 Tempera and oil on canvas transferred from wood, 136,5 x 107 cm The Hermitage, St. Petersburg

     Painting ID::  6027
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Annunciation_dfg
1495 Tempera and oil on canvas transferred from wood, 136,5 x 107 cm The Hermitage, St. Petersburg

CIMA da Conegliano The Annunciation (detail) dsg oil painting artist
 Click Image to Enlarge
The Annunciation (detail) dsg
1495 Tempera and oil on canvas transferred from wood The Hermitage, St. Petersburg

     Painting ID::  6028
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Annunciation_(detail)_dsg
1495 Tempera and oil on canvas transferred from wood The Hermitage, St. Petersburg

CIMA da Conegliano St. Helena sdgdf oil painting artist
 Click Image to Enlarge
St. Helena sdgdf
1495 Panel National Gallery of Art, Washington

     Painting ID::  6029
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St._Helena_sdgdf
1495 Panel National Gallery of Art, Washington

CIMA da Conegliano Madonna of the Orange Tree dfg oil painting artist
 Click Image to Enlarge
Madonna of the Orange Tree dfg
c. 1495 Tempera and oil on panel, 12 x 139 cm Gallerie dell'Accademia, Venice

     Painting ID::  6030
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Madonna_of_the_Orange_Tree_dfg
c. 1495 Tempera and oil on panel, 12 x 139 cm Gallerie dell'Accademia, Venice

CIMA da Conegliano Madonna Enthroned with the Child dfg oil painting artist
 Click Image to Enlarge
Madonna Enthroned with the Child dfg
Panel Galleria Nazionale, Parma

     Painting ID::  6031
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Madonna_Enthroned_with_the_Child_dfg
Panel Galleria Nazionale, Parma

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     CIMA_da_Conegliano
    Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,

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