Oil Painting Artist::. CIMA da Conegliano

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     CIMA da Conegliano
    Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,

CIMA da Conegliano The Madonna and Child with Sts John the Baptist and Mary Magdalen oil painting artist
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The Madonna and Child with Sts John the Baptist and Mary Magdalen
Date between 1511(1511) and 1513(1513) Medium Oil on wood Dimensions Height: 167 cm (65.7 in). Width: 110 cm (43.3 in). cje

     Painting ID::  83563
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Madonna_and_Child_with_Sts_John_the_Baptist_and_Mary_Magdalen
Date between 1511(1511) and 1513(1513) Medium Oil on wood Dimensions Height: 167 cm (65.7 in). Width: 110 cm (43.3 in). cje

CIMA da Conegliano Madonna of the Orange Tree oil painting artist
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Madonna of the Orange Tree
Date ca. 1495(1495) Medium tempera and Oil on panel cjr

     Painting ID::  83968
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Madonna_of_the_Orange_Tree
Date ca. 1495(1495) Medium tempera and Oil on panel cjr

CIMA da Conegliano Madonna of the Orange Tree oil painting artist
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Madonna of the Orange Tree
Date ca. 1495(1495) Medium tempera and Oil on panel cjr

     Painting ID::  84670
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Madonna_of_the_Orange_Tree
Date ca. 1495(1495) Medium tempera and Oil on panel cjr

CIMA da Conegliano Coronation of the Virgin oil painting artist
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Coronation of the Virgin
Date second half of 15th century Medium Oil on canvas cjr

     Painting ID::  85780
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Coronation_of_the_Virgin
Date second half of 15th century Medium Oil on canvas cjr

CIMA da Conegliano St Christopher with the Infant Christ and St Peter oil painting artist
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St Christopher with the Infant Christ and St Peter
Date between 1504(1504) and 1506(1506) Medium Oil on poplar Dimensions Height: 73 cm (28.7 in). Width: 56 cm (22 in). cjr

     Painting ID::  85882
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  St_Christopher_with_the_Infant_Christ_and_St_Peter
Date between 1504(1504) and 1506(1506) Medium Oil on poplar Dimensions Height: 73 cm (28.7 in). Width: 56 cm (22 in). cjr

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     CIMA_da_Conegliano
    Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,

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