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CIMA da Conegliano
Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
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The Virgin and Child with Saint Andrew and Saint Peter
47.7 X 39.7 cm (18.8 X 15.6 in)
late 15th century or early 16th century.
Medium oil on panel.
cjr
Painting ID:: 92760
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The_Virgin_and_Child_with_Saint_Andrew_and_Saint_Peter
47.7 X 39.7 cm (18.8 X 15.6 in)
late 15th century or early 16th century.
Medium oil on panel.
cjr
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The Annunciation
1495(1495)
Medium Tempera and oil on canvas transferred from wood
Dimensions Height: 136 cm (53.5 in). Width: 107 cm (42.1 in).
cjr
Painting ID:: 93659
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The_Annunciation
1495(1495)
Medium Tempera and oil on canvas transferred from wood
Dimensions Height: 136 cm (53.5 in). Width: 107 cm (42.1 in).
cjr
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Imago Pietatis
1490s
Medium tempera and oil on panel
Dimensions 53.5 x 38.5 cm
cyf
Painting ID:: 98301
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Imago_Pietatis
1490s
Medium tempera and oil on panel
Dimensions 53.5 x 38.5 cm
cyf
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CIMA_da_Conegliano
Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
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