Oil Painting Artist::. CIMA da Conegliano

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     CIMA da Conegliano
    Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,

CIMA da Conegliano Incredulity of St Thomas with Bishop Magno oil painting artist
 Click Image to Enlarge
Incredulity of St Thomas with Bishop Magno
Date c. 1505(1505) Medium tempera and Oil on panel Dimensions Height: 215 cm (84.6 in). Width: 151 cm (59.4 in). cjr

     Painting ID::  86706
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Incredulity_of_St_Thomas_with_Bishop_Magno
Date c. 1505(1505) Medium tempera and Oil on panel Dimensions Height: 215 cm (84.6 in). Width: 151 cm (59.4 in). cjr

CIMA da Conegliano Baptist and Mary Magdalen oil painting artist
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Baptist and Mary Magdalen
between 1511(1511) and 1513(1513) Medium Oil on wood cyf

     Painting ID::  87404
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Baptist_and_Mary_Magdalen
between 1511(1511) and 1513(1513) Medium Oil on wood cyf

CIMA da Conegliano Madonna of the Orange Tree oil painting artist
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Madonna of the Orange Tree
1495(1495) Medium tempera and Oil on panel cyf

     Painting ID::  87819
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Madonna_of_the_Orange_Tree
1495(1495) Medium tempera and Oil on panel cyf

CIMA da Conegliano Madonna of the Orange Tree oil painting artist
 Click Image to Enlarge
Madonna of the Orange Tree
1495(1495) Medium tempera and Oil on panel cyf

     Painting ID::  88566
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Madonna_of_the_Orange_Tree
1495(1495) Medium tempera and Oil on panel cyf

CIMA da Conegliano St Jerome in Wilderness Cima da Conegliano oil painting artist
 Click Image to Enlarge
St Jerome in Wilderness Cima da Conegliano
Oil on canvas transferred from panel, 48 x 40 cm Washington, National Gallery of Art Date about 1500-1505 cyf

     Painting ID::  88853
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St_Jerome_in_Wilderness_Cima_da_Conegliano
Oil on canvas transferred from panel, 48 x 40 cm Washington, National Gallery of Art Date about 1500-1505 cyf

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     CIMA_da_Conegliano
    Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,

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