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Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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Gartenlaube in Greifswald
Deutsch: Gartenlaube in Greifswald
Date 1818
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Painting ID:: 75406
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Gartenlaube_in_Greifswald
Deutsch: Gartenlaube in Greifswald
Date 1818
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Hunengrab im Herbst
Deutsch: Henengrab im Herbst
Date 1820
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Painting ID:: 75408
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Hunengrab_im_Herbst
Deutsch: Henengrab im Herbst
Date 1820
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Dab na sniegu
Polski: Dąb na śniegu
Date 1827-28
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Painting ID:: 75410
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Dab_na_sniegu
Polski: Dąb na śniegu
Date 1827-28
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Greifswald w swietle ksiezyca
Polski: Greifswald w świetle księżyca
Date 1816-17
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Painting ID:: 75412
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Greifswald_w_swietle_ksiezyca
Polski: Greifswald w świetle księżyca
Date 1816-17
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Taras ogrodowy
Polski: Taras ogrodowy
Date December 1811
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Painting ID:: 75414
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Taras_ogrodowy
Polski: Taras ogrodowy
Date December 1811
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Caspar_David_Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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