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Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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Caspar David Friedrich
Date 1830
Painting ID:: 74220
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Caspar_David_Friedrich
Date 1830
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evening
Date ca. 1820-1821
Medium Oil on canvas
Dimensions 22 X 30.5 cm (8.7 X 12 in)
cyf
Painting ID:: 74325
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evening
Date ca. 1820-1821
Medium Oil on canvas
Dimensions 22 X 30.5 cm (8.7 X 12 in)
cyf
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evening
Date ca. 1820-1821
Medium Oil on canvas
Dimensions 22 X 30.5 cm (8.7 X 12 in)
cyf
Painting ID:: 74328
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evening
Date ca. 1820-1821
Medium Oil on canvas
Dimensions 22 X 30.5 cm (8.7 X 12 in)
cyf
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Oak Tree in the Snow
English: "Oak Tree in the Snow"
Date 1829(1829)
Medium Oil on canvas
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Painting ID:: 74442
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Oak_Tree_in_the_Snow
English: "Oak Tree in the Snow"
Date 1829(1829)
Medium Oil on canvas
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Tree with crows
Date 1822(1822)
Medium Oil on canvas
Dimensions 54 X 71 cm (21.26 X 27.95 in)
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Painting ID:: 74448
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Tree_with_crows
Date 1822(1822)
Medium Oil on canvas
Dimensions 54 X 71 cm (21.26 X 27.95 in)
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Caspar_David_Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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