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Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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Evening on the Baltic Sea
Date 1831
cyf
Painting ID:: 75701
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Evening_on_the_Baltic_Sea
Date 1831
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Angelica and Medoro
Jacques Blanchard 1630 Angelica and Medoro.jpg
Angelica and Medoro
Date 1630
cyf
Painting ID:: 75702
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Angelica_and_Medoro
Jacques Blanchard 1630 Angelica and Medoro.jpg
Angelica and Medoro
Date 1630
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Felspartie
Deutsch: Felspartie
Date 1811
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Painting ID:: 75703
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Felspartie
Deutsch: Felspartie
Date 1811
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Zwei Manner in Betrachtung des Mondes
oil on canvas, 35 x 44 cm
Date ca. 1830
cyf
Painting ID:: 84804
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Zwei_Manner_in_Betrachtung_des_Mondes
oil on canvas, 35 x 44 cm
Date ca. 1830
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On the sailing-vessel
1818(1818)
Medium Oil on canvas
Dimensions 56 x 71 cm (22 x 28 in)
cjr
Painting ID:: 88082
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On_the_sailing-vessel
1818(1818)
Medium Oil on canvas
Dimensions 56 x 71 cm (22 x 28 in)
cjr
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Caspar_David_Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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