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RAFFAELLO Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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St Cecilia
1514(1514)
Medium Oil transferred from panel to canvas
Dimensions Width: 60 cm (23.6 in). (of detail)
cjr
Painting ID:: 89861
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St_Cecilia
1514(1514)
Medium Oil transferred from panel to canvas
Dimensions Width: 60 cm (23.6 in). (of detail)
cjr
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The annunciation
between 1502(1502) and 1503
cyf
Painting ID:: 90119
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The_annunciation
between 1502(1502) and 1503
cyf
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Hl. Familie unter der Eiche, mit Johannes dem Taufer
1518(1518)
Medium oil on panel
Dimensions Deutsch: 144 x 110 cm
cjr
Painting ID:: 90527
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Hl._Familie_unter_der_Eiche,_mit_Johannes_dem_Taufer
1518(1518)
Medium oil on panel
Dimensions Deutsch: 144 x 110 cm
cjr
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Portrait of Dona Isabel de Requesens
1518(1518)
Medium Oil on wood transferred to canvas
cyf
Painting ID:: 90614
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Portrait_of_Dona_Isabel_de_Requesens
1518(1518)
Medium Oil on wood transferred to canvas
cyf
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Madonna with the Fish
between 1512(1512) and 1514(1514)
Medium Oil on canvas transferred from wood
cyf
Painting ID:: 90615
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Madonna_with_the_Fish
between 1512(1512) and 1514(1514)
Medium Oil on canvas transferred from wood
cyf
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RAFFAELLO_Sanzio
Italian High Renaissance Painter, 1483-1520
Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,
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