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Raphael
Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
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Madonna and the Fish
English: Madonna and the Fish, oil painting by Raphael
Date 1513
cyf
Painting ID:: 75615
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Madonna_and_the_Fish
English: Madonna and the Fish, oil painting by Raphael
Date 1513
cyf
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Portrait of Bindo Altoviti
between 1512(1512) and 1515(1515)
Oil on wood
Height: 60 cm (23.6 in). Width: 44 cm (17.3 in).
cjr
Painting ID:: 79872
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Portrait_of_Bindo_Altoviti
between 1512(1512) and 1515(1515)
Oil on wood
Height: 60 cm (23.6 in). Width: 44 cm (17.3 in).
cjr
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Self-portrait
1506(1506)
Medium oil on panel
Dimensions Height: 45 cm (17.7 in). Width: 33 cm (13 in
cyf
Painting ID:: 91133
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Self-portrait
1506(1506)
Medium oil on panel
Dimensions Height: 45 cm (17.7 in). Width: 33 cm (13 in
cyf
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Madonna d'Orleans
1506(1506)
Medium oil on panel
Dimensions 32 X 22 cm (12.6 X 8.7 in)
cyf
Painting ID:: 92066
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Madonna_d'Orleans
1506(1506)
Medium oil on panel
Dimensions 32 X 22 cm (12.6 X 8.7 in)
cyf
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The Ecstasy of St. Cecilia
1514(1514)
Medium English: Oil transferred from panel to canvas
238 X 150 cm (93.7 X 59.1 in)
cjr
Painting ID:: 92667
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The_Ecstasy_of_St._Cecilia
1514(1514)
Medium English: Oil transferred from panel to canvas
238 X 150 cm (93.7 X 59.1 in)
cjr
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Raphael
Italian High Renaissance Painter, 1483-1520
Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period.
Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.
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