Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli La Primavera (mk39) oil painting artist
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La Primavera (mk39)
1477 Tempera on wood 80x123 5/8in

     Painting ID::  25480
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  La_Primavera_(mk39)
1477 Tempera on wood 80x123 5/8in

Sandro Botticelli Porfile of a Young Woman (mk45) oil painting artist
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Porfile of a Young Woman (mk45)
after 1480 Oil on panel 47.5x35cm Berlin,Staatliche Mussn zu Berlin-Preubischer Kulturbesitz,Gemaldegalerie

     Painting ID::  25881
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Porfile_of_a_Young_Woman_(mk45)
after 1480 Oil on panel 47.5x35cm Berlin,Staatliche Mussn zu Berlin-Preubischer Kulturbesitz,Gemaldegalerie

Sandro Botticelli Young Man With a Medallion of Cosimo (mk45) oil painting artist
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Young Man With a Medallion of Cosimo (mk45)
c.1474 Oil on panel 57x44cm Florence,Galleria degli Uffizi

     Painting ID::  25882
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Young_Man_With_a_Medallion_of_Cosimo_(mk45)
c.1474 Oil on panel 57x44cm Florence,Galleria degli Uffizi

Sandro Botticelli Adoration of the Magi oil painting artist
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Adoration of the Magi
1476 Tempera on wood 111x134cm Uffizi,Florence

     Painting ID::  26714
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Adoration_of_the_Magi
1476 Tempera on wood 111x134cm Uffizi,Florence

Sandro Botticelli Detail from the Adoraton of the Magi oil painting artist
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Detail from the Adoraton of the Magi
mk52

     Painting ID::  26715
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Detail_from_the_Adoraton_of_the_Magi
mk52

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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