Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Judith with the Head of Holofernes (mk36) oil painting artist
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Judith with the Head of Holofernes (mk36)
1494-1496 Amsterdam,Rijksmuseum.

     Painting ID::  25132
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Judith_with_the_Head_of_Holofernes_(mk36)
1494-1496 Amsterdam,Rijksmuseum.

Sandro Botticelli Portrait of Michele Marullo (mk36) oil painting artist
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Portrait of Michele Marullo (mk36)
1496 Barcelona

     Painting ID::  25133
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Michele_Marullo_(mk36)
1496 Barcelona

Sandro Botticelli Portrait of Lorenzo de'Lorenzi (mk36) oil painting artist
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Portrait of Lorenzo de'Lorenzi (mk36)
c.1498 Philadelphia,Museum of Art

     Painting ID::  25134
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Lorenzo_de'Lorenzi_(mk36)
c.1498 Philadelphia,Museum of Art

Sandro Botticelli Crucifixion with the Penitent Magdalene and an angel (mk36) oil painting artist
 Click Image to Enlarge
Crucifixion with the Penitent Magdalene and an angel (mk36)
1498-1500 Cambridge Fogg Art Museum

     Painting ID::  25135
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Crucifixion_with_the_Penitent_Magdalene_and_an_angel_(mk36)
1498-1500 Cambridge Fogg Art Museum

Sandro Botticelli Transfiguration,wtih St jerome and St Augustine (mk36) oil painting artist
 Click Image to Enlarge
Transfiguration,wtih St jerome and St Augustine (mk36)
c.1500 Rome,Galleria Pallavicini

     Painting ID::  25136
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Transfiguration,wtih_St_jerome_and_St_Augustine_(mk36)
c.1500 Rome,Galleria Pallavicini

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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