Oil Painting Artist::. Sandro Botticelli

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     Sandro Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

Sandro Botticelli Last miracle child revived by the Deacons Eugenius and Crescentius (mk36) oil painting artist
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Last miracle child revived by the Deacons Eugenius and Crescentius (mk36)
1495-1500 Dresden,Staatliche Kunstsammlungen Gemaldegalerie Alte Meister.

     Painting ID::  25152
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Last_miracle_child_revived_by_the_Deacons_Eugenius_and_Crescentius_(mk36)
1495-1500 Dresden,Staatliche Kunstsammlungen Gemaldegalerie Alte Meister.

Sandro Botticelli Stories of Lucretia (mk36) oil painting artist
 Click Image to Enlarge
Stories of Lucretia (mk36)
1500-1504 Detail of the attack on Lucretia. Boston,Isabella Stewart Gardner Museum

     Painting ID::  25154
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Stories_of_Lucretia_(mk36)
1500-1504 Detail of the attack on Lucretia. Boston,Isabella Stewart Gardner Museum

Sandro Botticelli Stories of Virginia (mk360 oil painting artist
 Click Image to Enlarge
Stories of Virginia (mk360
1500-1504 detail of Virginia attacked among the women. Bergamo,Accademia Carrara

     Painting ID::  25155
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Stories_of_Virginia_(mk360
1500-1504 detail of Virginia attacked among the women. Bergamo,Accademia Carrara

Sandro Botticelli Stories of Lucretia (mk36) oil painting artist
 Click Image to Enlarge
Stories of Lucretia (mk36)
1500-1504 Boston,Isabella Stewart Gardner Museum

     Painting ID::  25157
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Stories_of_Lucretia_(mk36)
1500-1504 Boston,Isabella Stewart Gardner Museum

Sandro Botticelli Stories of Virginia (mk36) oil painting artist
 Click Image to Enlarge
Stories of Virginia (mk36)
Bergamo,Accademia Carrara

     Painting ID::  25159
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Stories_of_Virginia_(mk36)
Bergamo,Accademia Carrara

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     Sandro_Botticelli
    Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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