Oil Painting Artist::. Albrecht Durer

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     Albrecht Durer
    b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

Albrecht Durer Albrecht Durer and an unknown companion oil painting artist
 Click Image to Enlarge
Albrecht Durer and an unknown companion
mk168 cf.139.

     Painting ID::  42284
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Albrecht_Durer_and_an_unknown_companion
mk168 cf.139.

Albrecht Durer The Feast of the rose Garlands the virgen,the Infant Christ and St.Dominic distribut rose garlands oil painting artist
 Click Image to Enlarge
The Feast of the rose Garlands the virgen,the Infant Christ and St.Dominic distribut rose garlands
mk168 162x194cm Oil on poplar wood

     Painting ID::  42285
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Feast_of_the_rose_Garlands_the_virgen,the_Infant_Christ_and_St.Dominic_distribut_rose_garlands
mk168 162x194cm Oil on poplar wood

Albrecht Durer The Mantle of the pope oil painting artist
 Click Image to Enlarge
The Mantle of the pope
mk168 1514 Watercolor on paper 427x288mm

     Painting ID::  42286
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Mantle_of_the_pope
mk168 1514 Watercolor on paper 427x288mm

Albrecht Durer The Manile of the Pope oil painting artist
 Click Image to Enlarge
The Manile of the Pope
mk168 1514 Watercolor on paper 427x288mm

     Painting ID::  42287
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Manile_of_the_Pope
mk168 1514 Watercolor on paper 427x288mm

Albrecht Durer Head of a Weeping cherub oil painting artist
 Click Image to Enlarge
Head of a Weeping cherub
mk168 211x167,mm

     Painting ID::  42288
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Head_of_a_Weeping_cherub
mk168 211x167,mm

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     Albrecht_Durer
    b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

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