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Albrecht Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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Christ on the Cross
mk168
220x133mm
Painting ID:: 42259
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Christ_on_the_Cross
mk168
220x133mm
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Jean Charlier de gerson as a pligrim
mk168
223x149mm
Painting ID:: 42260
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Jean_Charlier_de_gerson_as_a_pligrim
mk168
223x149mm
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Madonna with musical Angels
mk168
Pen and ink on paper with touches of watercolor
216x151mm
Painting ID:: 42261
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Madonna_with_musical_Angels
mk168
Pen and ink on paper with touches of watercolor
216x151mm
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Christ as Man of Sorrows
mk168
oil on fir
30x19cm
Painting ID:: 42262
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Christ_as_Man_of_Sorrows
mk168
oil on fir
30x19cm
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View of Heroldsberg
mk168
Pen and ink on paper
211x263mm
Painting ID:: 42273
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View_of_Heroldsberg
mk168
Pen and ink on paper
211x263mm
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Albrecht_Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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