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Albrecht Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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St.Anthony The Hermit
mk168
96x143mm
Painting ID:: 42304
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St.Anthony_The_Hermit
mk168
96x143mm
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The Sudarium Held By An Angel on a small Cartellino
mk168
185x134mm
Painting ID:: 42305
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The_Sudarium_Held_By_An_Angel_on_a_small_Cartellino
mk168
185x134mm
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Agony in the Garden
mk168
221x156mm
Painting ID:: 42306
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Agony_in_the_Garden
mk168
221x156mm
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Two Venetian Ladies
mk168
290x173mm
Painting ID:: 42307
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Two_Venetian_Ladies
mk168
290x173mm
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The Virgin Nursing the Child near the bottom,on a stone
mk168
1503
113x70mm
Painting ID:: 42308
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The_Virgin_Nursing_the_Child_near_the_bottom,on_a_stone
mk168
1503
113x70mm
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Albrecht_Durer
b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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