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Jean Marc Nattier
1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
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Thalia
1739
Medium Oil on canvas
Dimensions 135.9 x 124.5 cm
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Painting ID:: 82272
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Thalia
1739
Medium Oil on canvas
Dimensions 135.9 x 124.5 cm
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Portrait of Charlotte Louise de Rohan as a vestal virgin
Date ca. 1737(1737)
Medium Oil
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Painting ID:: 82395
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Portrait_of_Charlotte_Louise_de_Rohan_as_a_vestal_virgin
Date ca. 1737(1737)
Medium Oil
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Anne de Bourbon
Date 1731
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Painting ID:: 82738
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Anne_de_Bourbon
Date 1731
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daughter of Philippe II
Date 1731
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Painting ID:: 82811
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daughter_of_Philippe_II
Date 1731
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Marc Nattier
after 1750(1750)
Medium Oil on canvas
Dimensions 103 x 120 cm (40.6 x 47.2 in)
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Painting ID:: 82856
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Marc_Nattier
after 1750(1750)
Medium Oil on canvas
Dimensions 103 x 120 cm (40.6 x 47.2 in)
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Jean_Marc_Nattier
1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
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