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Jean Marc Nattier
1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
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known as Madame Henriette represented as Flora in
1742(1742)
Medium Oil on canvas
Dimensions 96 x 151 cm (37.8 x 59.4 in)
cyf
Painting ID:: 79375
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known_as_Madame_Henriette_represented_as_Flora_in
1742(1742)
Medium Oil on canvas
Dimensions 96 x 151 cm (37.8 x 59.4 in)
cyf
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Dauphin of France
1754(1754)
Medium Oil on canvas
Dimensions 130 x 97 cm (51.2 x 38.2 in)
cyf
Painting ID:: 79416
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Dauphin_of_France
1754(1754)
Medium Oil on canvas
Dimensions 130 x 97 cm (51.2 x 38.2 in)
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dite autrfois Madame de France
1751(1751)
Medium Oil on canvas
Dimensions 105 x 120 cm (41.3 x 47.2 in)
cyf
Painting ID:: 79450
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dite_autrfois_Madame_de_France
1751(1751)
Medium Oil on canvas
Dimensions 105 x 120 cm (41.3 x 47.2 in)
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Madame Sophie of France
1748(1748)
Medium Oil on canvas
Dimensions 79 x 60 cm (31.1 x 23.6 in)
cyf
Painting ID:: 79679
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Madame_Sophie_of_France
1748(1748)
Medium Oil on canvas
Dimensions 79 x 60 cm (31.1 x 23.6 in)
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daughter of Louis XV and wife of Duke Felipe I of Parma
18th century
Medium Oil on canvas
cyf
Painting ID:: 79693
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daughter_of_Louis_XV_and_wife_of_Duke_Felipe_I_of_Parma
18th century
Medium Oil on canvas
cyf
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Jean_Marc_Nattier
1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
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